Beside a bit of micro-operas she composed a fully length operas a Nighttime at the Chinese Opera, A Vanishing Bridegroom, Blond Eckbert, & recently - within co-operation by having Margaret Williams - Armida, an opera for television.

Licensed works virtually all notably include woman.life.song for Jessye Norman and We are Shadows for Simon Rattle.

From either 1995 to 2000 she was a Artistic Director of the Spitalfields Festival in London. She hang on to a post of Composer within Association for the City of Birmingham Symphony Orchestra from From 1995 to 1998.

Around 1997 she received a Lincoln Center's Stoeger Prize.